After the Betamax debacle it decided it would win the next format war by owning studios.
That meant that anything it built for the consumer also had to be good for the studio.
So for example it launched the excellent minidisk player (a 76Mb minifloppy) with better than MP3 quality when MP3 players were 32Mb for twice the price.
But it refused to release the minidisk drives for computers, because that would lead to piracy - so the only way to get music on the units was to buy all your albums again on minidisk (the studio's preferred option !) or record them on the microphone in. Then they did the same again with the PSP.
Suppose Apple had decided to ensure the success of the iPhone, not by making it great, but by buying a cell carrier - then limiting your calls to other iPhone users.
Actually, I'm not sure they learned anything from Betamax. Other companies avoid format wars; Sony launches them, always hoping for license fees. Minidisc, ATRAC, Memory Stick, Digital8, UMD: all formats launched into crowded markets, usually with little or no advantage over the incumbents.
(I thought Blu-Ray was an example, but a quick Wikipedia check says Blu-Ray was announced 2 months before the DVD Forum voted to develop HD-DVD.)
They've won a few, too; most notably, 3.5" floppies (where Apple crowned the winner by choosing Sony for Mac).
I bought an early Minidisk player (still have it), and you could record with it using ordinary line in RCA jacks. A microphone was not necessary. As a replacement for a cassette deck, it beat the pants off of it. Sadly, the copy protection on the disks (it wouldn't even let you do a bit copy of your own disk recordings) killed it.
MiniDisc came out in '92, well before any portable MP3 players existed. MiniDisc recorders typically had optical digital inputs so you could get your albums on them from CD just fine.
How widespread was optical digital out in 2001 compared to USB ports?
What mattered is whether it was easy to get pirated MP3s from the PC to the player. Fiddling around with optical digital out compared to the much simpler USB seems backwards.
MiniDisks might well have been superior to cassettes but compared to MP3 players? Ugh.
MiniDisks would have been pretty cool (at least for a short time) if you could have plugged them into a USB port.
My point was not to debate MiniDiscs but that just about everything the OP is using to support their argument is factually inaccurate. It's basically gibberish with a little ZOMG APPLE/IPHONE indignation morsel thrown in at the end.
The OP was correct about saying that you need line-in. That’s what I, too, always perceived as the major downside of MiniDisk. (He said micro-in but already corrected himself on that. An honest mistake, he actually meant line-in. That doesn’t make it gibberish.)
when I bought my minidisc they were about $100, a comparable Creative flash based Mp3 player was 32Mb.
You could have a handful of disks with 80mins of HQ music on each whereas the MP3 players of the time were either very expensive (like the first harddisk iPod) or had so little space you had to chose a few songs for each trip.
The first MP3 player I bought had 128MB. (A Creative Muvo I bought in 2002.) I considered MiniDisk but having to use line-in seemed like such a hassle. (I didn’t have digital equipment and would have had to use the analog route and that just seemed like not worth it at all.)
I can understand how MiniDisk could have looked a bit more attractive a year or two earlier but not really in 2001 or 2002.
Not sure what your are trying to say or if you even use an iOS product. You can easily play music/movies not purchased through iTunes and there is other software out there that allows people to manage music/movies if they don't want to use iTunes. So no, it's really not the same thing at all.
Apple certainly could have made it easier to put any old video you want into iTunes, I think they made a strategic decision to coax people into purchasing video through iTunes by making it hard to just drop AVIs into it. If they had tried this with iTunes - come out with the music store before the player and limited you to only listening to music you bought through the store, they'd have been dead in the water. I'm sure they're more than happy with the sales of videos in iTunes but they certainly left a pretty wide hole where iTunes could have been the default video player for everything instead of just their own stuff.
The version of the iTunes Music Store where people can put whatever media they want up for sale sounds, to me, as a consumer, less valuable than the single place I can go now to get almost any album on any label I normally listen to, or get the most recent episode of Parks & Rec. I'm sure there's great stuff on sale at flea markets too, but I don't want to shop there. Sorry.
> The version of the iTunes Music Store where people can put whatever media they want up for sale sounds
The op doesn't mean that iTunes would be used for selling media. Rather it'd be your personal media player for everything like AVI/Mpeg/etc. like VLC is.
I don't know how well iTunes can do this as is, but that's what he's arguing for.
After the Betamax debacle it decided it would win the next format war by owning studios.
That meant that anything it built for the consumer also had to be good for the studio. So for example it launched the excellent minidisk player (a 76Mb minifloppy) with better than MP3 quality when MP3 players were 32Mb for twice the price.
But it refused to release the minidisk drives for computers, because that would lead to piracy - so the only way to get music on the units was to buy all your albums again on minidisk (the studio's preferred option !) or record them on the microphone in. Then they did the same again with the PSP.
Suppose Apple had decided to ensure the success of the iPhone, not by making it great, but by buying a cell carrier - then limiting your calls to other iPhone users.