"Kyle meets Taya Studebaker at a bar, and the two soon marry. He is sent to Iraq after the September 11 attacks. His first kills are a woman and boy who attacked U.S. Marines with a Russian made RKG-3 anti-tank grenade. Kyle is visibly upset by the experience but later earns the nickname "Legend" for his many kills. Assigned to hunt for the al-Qaeda leader, Abu Musab al-Zarqawi, Kyle interrogates a family whose father offers to lead the SEALs to "The Butcher", al-Zarqawi's second-in-command. The plan goes awry when The Butcher captures the father and his son, killing them while Kyle is pinned down by a sniper. This sniper goes by the name Mustafa and is an Olympic Games medalist from Syria. Meanwhile, the insurgents issue a bounty on Kyle."
How this disproves that "Hollwood is unable to record a movie depicting modern US millitary in any critical or non-heroic manner"?
If you have mentioned Generation Kill I would have given you props but it is not an accident that many people in US have not heard about that series (and the book).
> American Sniper ... How this disproves that "Hollwood is unable to record a movie depicting modern US millitary in any critical or non-heroic manner"?
It's very critical. While American Sniper does indeed glorify the heroism of individual soldiers, it simultaneously criticizes the entire endevour. Yes, the lead protagonist is depicted as a hero, but he is never confident in his own morality, and even develops a professional kinship with the people that he is ordered to kill. It also highlights the severe physiological damage that war can bring, the movie ending in tragedy.
While American Sniper may glorify the individual warrior, it's largely critical of war itself.
